I love the little illusion of glass in scaled-down worlds: a tiny bottle that looks like it could hold a drop of moonlight, a window in a paper house that catches the sun, or a miniature globe with a glossy, convincing surface. Over the years I’ve experimented with a lot of ways to fake glass in...
Read more...
DIY Projects
I love small projects that teach a technique and a mindset at the same time. A...
DIY Projects
I love small mechanical surprises — those tiny moments when something...
DIY Projects
I stage tiny scenes — paper dioramas, miniature puppets, and small-scale...
Tutorials
I remember the first time I introduced paper mechanics to a roomful of people...
I stage tiny scenes — paper dioramas, miniature puppets, and small-scale sculptures — so the quality of light matters more than you might expect. Even a cheap keychain LED can be transformed into a soft, even wash that makes paint read...
I remember the first time I introduced paper mechanics to a roomful of people ranging from six to sixty. There was a hum of concentration, a flurry of scissors, and — thank goodness — a handful of moments where everyone stopped, looked up and...
I love the small discoveries that happen when you stop to look closely: a brushstroke that becomes a character, a tucked-away tool that solves a problem. Buying a padel racket can feel a little like that—an invitation to experiment, to try shapes,...
I love finding small ways to turn ordinary objects into pockets of surprise. One of my favourite quick transformations is turning a cheap secondhand paperback into a hidden-compartment prop — perfect for pocket-sized theatre, street magic bits, or...
I love tiny scenes that feel larger than life — a single glowing window on a miniature house can turn a shelf into a story. Over the years I've learned that the secret to making a tabletop lightbox feel cinematic isn't an expensive studio kit, but...
I first got hooked on anamorphic illusions when I saw a tiny warped drawing sit up straight only when viewed from a particular angle. There’s something quietly magical about a flattened image that resolves into readable text or a face when you...
When I'm building a tiny paper automaton, a cardboard puppet or a fabric-wrapped wooden prop, the wrong glue can turn a playful afternoon into an exercise in frustration. Over the years I've learned to run a few quick tests before committing to a...
I love the way a well-made prop can tell a story before anyone reads a single word. A sun-faded book cover, a box with flaking paint, or a faded poster edge can instantly place a scene in a different time. Over the years I've experimented with all...
I like small challenges. They force you to make decisions quickly, to invent constraints that sharpen rather than limit, and to find delight in tiny details. Planning a mini exhibition inside a single shoebox is one of my favourite kinds of...
I love telling very small stories that do double duty: they charm the viewer and quietly teach a making technique. A three-panel visual fable is perfect for that. It’s short enough to keep a single, satisfying narrative beat but long enough to...